Certified Educator It seems that Sophocles wants to make the point that Antigone made choices leading to her death while Antigone herself wants to justify her choices as being the direct result of her parents' sins. There are many places all throughout the play in which Sophoclesrefers to choices and decisions, showing us that this is ultimately a play about choice rather than fate.
Great Valley High School. He has good, rational reasons for his laws and punishments. By then it is too late. This is the path of a tragic character.
The character has a hamartia, or tragic flaw. More often then not that tragic flaw is excessive pride, hubris. The character then goes through a peripetia, which is an ironic twist where the character realizes that things will not turn out the way he expected. Finally, the character has an anagnorisis, which is their epiphany that makes them realize their hamartia and see their place in the universe.
Creon will not listen to anyone. He is stubborn and his pride is so great, he can not bring himself to acknowledge that he could ever wrong.
When Creon is talking to Teiresias, he thinks that he is being paid off. He does not want to believe he could be wrong about Antigone. Creon has too much pride, and the gods do not like that. This means that the gods are angry about something. The only crime is pride. This also shows that Creon is doomed.
Creon is stubborn and reluctant to back down from his laws. He has to look like a strong, unyielding leader, which is a problem. A strong leader would also be able to recognize his faults, but not Creon. Creon finally realizes that his hubris has not let him effectively deal with his conflicts.
Creon also realizes that it was his fault Haimon dies. He would not listen to Haimon and take his advice.
Creon almost seemed like he wanted Haimon to be angry so he put Antigone in the vault. He was already heading the wrong direction with his pride and it finally was too much. Creon goes through all the phases of a tragic character.
Finally, Creon has his anagnorisis and realizes that his hubris has brought his downfall. This academia was first published 25 Mar and last revised 16 Feb He scrapbooks yonder every minute or three. Next 22 Mar The tragic hero of this drama is Antigone, the character from which the play derives its title.
This is shown by the fact that not only is she the protagonist of the play, but she also holds certain qualities of . Digital Impact LLC produces large format, high-resolution, semi-permanent corrugated/mixed material POP & POS displays, product packaging and specialized permanent displays for companies of all backgrounds.
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Oct 17, · Hence, Sophocles does a great deal to point out that Antigone's death is due to her own choices.
Antigone Analysis Sophocles. Homework Help A tragic hero is the character in a tragedy that experiences a downfall because of some kind of flaw. This flaw is called the tragic flaw. Greek tragedy, created in the city-state of Athens in the last thirty years of the sixth century B.C.E., is the earliest kind of European drama. Ancient Greek Theater. The theater of Dionysus, Athens (Saskia, Ltd.) This page is designed to provide a brief introduction to Ancient Greek Theater, and to provide tools for further research.
Hence, it seems that we can make the case that Sophocles is primarily arguing that Antigone's. Antigone Analysis Sophocles. Homework Help A tragic hero is the character in a tragedy that experiences a downfall because of some kind of flaw.
This flaw is called the tragic flaw. Oct 19, · In Antigone, Creon's tragic flaw is his hubris which is exhibited in his refusal to listen to anyone's advice regarding the punishment he doles on Antigone. Creon's tragic flaw is best seen in his. Sophocles, then, sets up Antigone as an 'Oedipal' hero - meaning that she is structurally the protagonist, but cursed with a tragic fate.
The question, of course, is whether we as readers can determine her tragic flaw - that element of her character that will send her to her doom - and whether we can successfully identify her antagonist.